ALBUM REVIEW: Hookworms 'The Hum'

Rating:

Following up 2013’s Pearl Mystic at all is one thing, but releasing an album even better just one year on is incredible: Leeds DIY-preaching psych-noise enthusiasts Hookworms have outdone themselves with The Hum.

The 35 minute psych onslaught is broken down by three ambient instrumental tracks, perhaps a sign that Hookworms realise just how menacing their record is. However, unlike the aforementioned debut album, The Hum makes for relatively easy listening. Second track ‘On Leaving’ cites Younghusband more than it does any noise-rock band of recent years, whilst vocalist MJ moans ‘nothing stays the same’ over a repetitive, hypnotic rhythm section.

The freak-beat sound employed on the first half of their debut album seems to have been lessened on the follow-up, as Hookworms turn their seething psychedelic energy into a more melodic type of noise-rock, boasting catchy choruses as well as intimidating surrealism. With The Hum, Hookworms have managed to keep the nature of the band alive, whilst progressing their sound to the point where it’s more instantly appealing (or maybe we just know what kind of reverb-heavy fury to expect from the band by now, who knows).

Having been produced in MJ’s home, and with the artwork being that of JW of the band, this is pretty much as DIY as records get. The Hum is a progression, as well an exploration of new ideas. More emphasis is on the drumming, which helps the intimidating atmosphere that Hookworms create to become even more prominent. Yet much like Pearl Mystic, I don’t expect to see this album advertised on huge posters around city centres, but you could bet that it’ll be one of the most sought-after records at your local record store.

On that note, be one of those people – buy this record, it sounds even better on the clear vinyl that it has been pressed on.

Marty Hill
@___skying