ALBUM REVIEW: The Art of McCartney

A variety of artists recorded versions of some of Paul McCartney's best songs for a tribute album named 'The Art of McCartney'.
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It was no surprise that a tribute album to former Beatles member, Paul McCartney, was released. The album has been in the works for over 11 years, complete with 42 tracks in total – all produced by Ralph Saul.

The album sees many big names striving to do a selection McCartney’s classic anthems, justice. Artists such as: Willie Nelson, B.B King, Kiss and Bob Dylan took part in the project. The songs chosen vary from ones the Liverpuldian wrote when in; The Beatles, when in Wings, and during his solo career.

The album begins with Billy Joel’s wistful interpretation of ‘Maybe I’m Amazed’. Like all tracks from the album, McCarney’s own band accompanies the song. Although this results in the album sounding very similar to the originals, each song pays great respect to the legendary musician.

Yusuf Islam covers the well known Beatles ballad, ‘The Long and Winding Road’, McCartney was inspired by the growing tension among the Beatles when writing this song. Islam did a great job of the heavyhearted track, he sang it with as much passion as if it was his own song.
Unfortunately, there are very few women involved in the album; Corrine Bailey Rae’s killer voice did a beautiful rendition of ‘Bluebird’, and Chrissie Hyndes cover of ‘Let It Be’ is expressive and sweet.

Willie Nelsons version of ‘Yesterday’ is impressive, breezy and it’s an easy listen. The same goes for Jeff Lynees cover of ‘Junk’-Every word is heeded, and carefree. “Candlesticks, building bricks, Something old and new. Memories for you and me.” As for Barry Gibbs version of McCartneys melody, ‘When I’m 64′, (wishful thinking!), it rolls effortlessly, and Gibbs’ voice suits the song remarkably.

There could have been more modern artists on this album, but the few that are, did admirable covers; Jamie Cullum does an impeccable rendition of ‘Every Night’ with Cullums jazz voice perfect for the song. It really differs from the rest of the album, being an up-to-date version of a song from McCartneys solo work.

Lead singer of The Who, Roger Daltrey, contributes a blistering version of ‘Helter Skelter’, the versatile rocker screams his way through the track in true mayhem-meets-metal spirit. One of the standout tracks for me, would be The Cures interpretation of ‘Hello, Goodbye’. Robert Smiths vocals combined with (Pauls son), James McCartney, working wonderfully, paired with the faithful drumming. It is safe to say they didn’t butcher one of my favourite Beatles songs…

Nearing the end of the album, is Dions ovation of ‘Drive My Car’. It has a happy, lively mood to it, and Dions vocals are very fitting to the song. ‘Lady Madonna’ too, has a fun, lively sound-credit to Allen Toussaint. Alice Coopers take on ‘Eleanor Rigby’ showcases his wide vocal range and was a good song choice for the tribute album.

Another key track from the compilation, is Sammy Hagars adaptation of ‘Birthday’. The rolling bass line and upbeat drumming pace, benefit Hagars thrilling vocals hugely in this song. Peter, Bjorn and John bring The Art of McCarney to a close, with an outstanding rendition of one of McCartneys later releases, a very successful song called ‘Put It There’. The song’s lyrics are based around an expression of friendship that McCartney learned from his father, “Put it there if it weighs a ton.” An excellent ending to a much awaited album.

Tara Shiels

Tara Shiels

Music addict and hat wearer from Dublin, Ireland. Likes: The Strypes, Hats and tea. Dislikes: Children of the Son, Spiders and Ketchup.